We’ve long-since completed our tumbleweed act, barreling our way West out of Texas and North into South Dakota (in a few hours.) I don’t want to sound like a lagging, out-of-touch journalist, relaying the highlights of each day that are no longer relevant, however if we treat this like a chapter book, maybe it won’t seem obsolete.
Now, where did we leave off? Somewhere between two crisp sheets, a glass of milk and a tray of biscuits, gently accompanying the lullaby that mother/father/babysitter/sibling is reading as your lids fall heavy and visions of tumbleweeds scurry past your lashes.
West Texas. We crowded onto the bus, 8 of us, and chugged down the road to Marfa. We didn’t make it there that first night, as predicted. Instead, we made it to, what we thought was a rest stop, but really was just a roadside gully, a perfectly measured cutout for our bus. This is not the first time we have camped without a tipi. Analyzing this disappointing notion, I settled next to a few droopy New Orleans voodoo candles and wrote out postcards, mimicking (and laughing at) my former hopes for this summer: candle-side, antiquated moments, donned in a prairie frock, communicating by way of feather and ink. Why I had imagined it this way, I am not sure.
The other 7 made bus-beds in the bunks, hammocks and on the roof. I, however, could not. None of the choices the bus provided seemed fit. I tried the asphalt and was awakened by my sensible side, screaming that we were only slightly removed from a Texas highway with no speed limit. The tall grasses seemed a comfortable choice until a nearby sassy rattling (probably cicadas) jogged my imagination and a small creature sprung onto my chest, propelling me into a vertical stance. I tried the roof, but woke up shivering to the blare of a sluggish freight across the road, and eventually landed a wink on the astroturf floor of the bus.
But enough about sleep, for the waking (and I’m running out of time as we are headed to the Rosebud, SD in a few minutes):
We made it to Marfa, Texas (population 2,021) and toured the Chinati Foundation, which houses permanent installations by Donald Judd and a few of his minimalist cronies (Chamberlain and Flavin.) The tour is done in 2 parts, so after the morning stroll around its campus, we met up with Susannah Mira, a fellow Elsewhere artist. And to answer a possible question of yours: why might you meet up with a fellow artist friend in rural Texas where Airstreams outnumber houses? Because, Marfa is an enigma. A bizarre, arid outpost, flanked by nothing but nothing, populated by plants with names like “bad woman,” native Texans, Mexican immigrants and escapists from the New York art scene.
Speaking of evading the art scene, we opted to use our time in the Southwest as opportunity to relax and sight-see. West Texas, New Mexico, Colorado. And a good choice it was. A mini-vacation before the rigorous schedule ahead (see updated tour page) presented us with myriad moments of excitement and discovery. J and I tried to fly via lumber tarp para-sail at Monahan’s sand dunes. Tiff took on the role of archaeologist at Petroglyph National Monument. Jonas played chef at Balmohrea springs. Dan and Ian were scolded like children as they scaled the not-so-flat walls of Carlsbad Caverns in NM.
And now, we find ourselves in Colorado, visiting with Grant and Peggy, founders of Colorado Art Ranch. We were introduced to members of their board over a scrumptious meal, and were convinced to set up a tipi in the cul-de-sac of their subdivision. A new backdrop for the tipi. It’s fascinating how each environment infiltrates the installation, breathing new life and interpretations from each flap of plastic as it soaks up the landscape in which it sits.
And now, as we’re weening ourselves from Grant and Peggy’s hospitality, we look forward to a visit with members of the Rosebud Sioux Tribe. South Dakota it is.




